Cranbrook STUDIO Print Editions

Natalie Wadlington — Garden

Natalie Wadlington — Garden

$450.00

5 color process print on Cougar White 160# cover with full satin varnish. Deckled, numbered and signed by the artist.
26.5h x 24w inches
Edition of 30


PLEASE NOTE

  • Proceeds from the edition will be split evenly between the artist and the Cranbrook community.

  • This print will ship in the next 4-6 weeks.

  • The buyer accepts all terms of sale and agrees that the edition will not be resold for a minimum of one year from the purchase date.

  • Copyright of the artwork is non-transferable and remains the property of the artist.

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Details

Natalie Wadlington — MFA (Painting, 2020)

Originally from Modesto, California, Natalie Wadlington received her MFA in painting from Cranbrook Academy of Art in 2020. Wadlington’s practice centers around creating richly-colored paintings that are based in story-telling and figuration. Her characters are wide-eyed with wonderment and fear as they navigate various environments and encounters with both wild and domesticated animals. Wadlington views the interactions presented within her works as metaphors that communicate larger archetypal narratives of love, conflict, and misjudgment, specifically in our relationship to animals. In her paintings, characters come together in symbolic scenes that mirror our own complex struggles for mutual understanding.

Wadlington communicates the complexity of anthropomorphism, where our tendency to project human thoughts and feelings onto other species can be both beneficial in inspiring empathy in us to care for pets or support environmental causes; as well as detrimental in perpetuating a lack of knowledge about their unique social habits and needs. Garden depicts a subject in her garden, where she is met by an encounter between domesticated and wild animals. As with many of the artist’s narratives, the animals are the central figures, and the human bends and adjusts to their company. Through the subject’s and the animals’ nuanced interplay, Wadlington depicts our longing for connection. Her figures observe, disrupt, contemplate, question and invade the lives of the animals they meet, presenting varying approaches to our own interpersonal actions and reactions regarding the people in our lives. 

Through collaging different painting styles within a frame that tightly surrounds her subjects, Wadlington places equal but varying importance on both figure and animal. As she explains, “Hierarchies in the narratives are leveled so that the actors in the scenes are simultaneously the storyteller, protagonist, and antagonist. Through the stories’ multiple reads and interpretations, moral agency can be granted or taken away from both human and animal.”

 
Photo by Paige

Photo by Paige Beitler